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Picasso On Paper -  - Viewing Room - Forum Gallery Online Viewing Room

As the world commemorates fifty years since Pablo Picasso’s (1881-1973) death and remembers his unique contributions to art, Forum Gallery presents Picasso on Paper, a special exhibition of prints and drawings curated for quality, originality, provenance, condition, and excellent value.

Spanning eight decades of Picasso’s creative expression, the exhibition will present more than thirty works spotlighting Picasso’s extraordinary early gift, his classical training, his enduring and vigorous artistic production, and his voracious appetite for experimentation in visual vocabulary and art-making techniques. Picasso treated drawing, painting, printmaking, and sculpture as equal conduits to his vision, revolutionizing traditional approaches to each in ways that would change forever the way we see and make art.

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PABLO PICASSO (1881-1973)  Portrait de Femme, c. 1897 colored pencil and charcoal on paper 8 1/8 x 6 1/8 inches Signed and dedicated lower right  "P. Ruiz Picasso for Paula"  Certificate of Authenticity provided by  Maya Widmaier-Picasso

PABLO PICASSO (1881-1973)

Portrait de Femme, c. 1897

colored pencil and charcoal on paper

8 1/8 x 6 1/8 inches

Signed and dedicated lower right "P. Ruiz Picasso for Paula"

Certificate of Authenticity provided by Maya Widmaier-Picasso

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Le Repas frugal, 1904 (September, Paris) etching and scraper printed on Van Gelder Zonen wove paper with Van Gelder Zonen watermark  18 1/4 x 14 3/4 inches (image) 25 3/4 x 19 7/8 inches (sheet) Edition of 250, from the Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Le Repas frugal, 1904

(September, Paris)

From the Suite des Saltimbanques

etching and scraper printed on Van Gelder Zonen wove paper with Van Gelder Zonen watermark

18 1/4 x 14 3/4 inches (image)

25 3/4 x 19 7/8 inches (sheet)

Edition of 250, of the second (final state)

Printed by Fort, 1913

Published by Vollard, 1913

(Bloch 0001) (Baer 2.II.b.2)

SOLD

Salomé, 1905 (between summer and the end of the year, Paris) drypoint printed on Arches paper 15 7/8 x 13 3/4 inches (image) 25 3/8 x 19 3/8 inches (sheet) 29 7/8 x 26 5/16 inches (framed) one of a few impressions before steelfacing

PABLO PICASSO (1881-1973)

Salomé, 1905

(between summer and the end of the year, Paris)

From the Suite des Saltimbanques

drypoint printed on Arches paper

15 7/8 x 13 3/4 inches (image)

25 3/8 x 19 3/8 inches (sheet)

One of a few impressions before steel facing, of the third (final) state

Signed lower right “Picasso”

Printed by Eugene Delâtre, Paris, 1905

(Bloch 0014), (Baer 17.III.a)

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Tête de Femme de Profil, 1905 etching on laid Japan paper 11 1/2 x 9 3/4 inches (image) 21 5/8 x 15 9/16 inches (sheet) 27 1/8 x 33 3/4 inches (framed) from the edition of 27 or 29

PABLO PICASSO (1881-1973)

Tête de Femme de Profil, 1905
(probably February, Paris)
From the Suite des Saltimbanques

drypoint on laid Japan paper
11 1/2 x 9 3/4 inches (image)

21 5/8 x 15 9/16 inches (sheet)

From the edition of 27 or 29, of the second state

Printed by Fort, 1913

Published by Vollard, 1913

(Bloch 0006) (Baer 7.b.1)

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PABLO PICASSO (1881-1973)  Portrait de la fille de Charles Morice, 1906 pencil on paper 26 3/4 x 18 7/8 inches Signed in pencil upper left “Picasso”  (Zervos, Vol. VI, no. 750)  Authenticated by Claude Ruiz Picasso,  April 19, 2015

PABLO PICASSO (1881-1973)

Portrait de la fille de Charles Morice, 1906

pencil on paper

26 3/4 x 18 7/8 inches

Signed in pencil upper left “Picasso”

(Zervos, Vol. VI, no. 750)

Authenticated by Claude Ruiz Picasso, April 19, 2015

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Pablo Picasso L'Homme au Chien, 1914 black and white etching 10 3/4 x 8 1/2 inches

PABLO PICASSO (1881-1973)
L'Homme au Chien, 1914
black and white etching
10 3/4 x 8 1/2 inches
signed in red pencil lower right "Picasso"

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Pianiste, 1916 (Paris) pencil on paper 11 1/8 inches x 8 7/8 inches (image) 20 1/4 x 17 5/8 inches (framed)

PABLO PICASSO (1881-1973)

Pianiste, 1916 (Paris)

pencil on paper

11 1/8 inches x 8 7/8 inches

Signed in pen lower left “Picasso”

(Zervos, vol. II, no. 907)

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Visage de Marie-Thérèse, 1928 (probably October, Paris) lithograph printed on Japan paper with large margins 7 3/4 x 5 1/2 inches (image) 19 1/8 x 12 inches (sheet) 22 5/8 x 18 5/8 inches (framed) a proof outside the edition of 75

PABLO PICASSO (1881-1973)

Visage de Marie-Thérèse, 1928

(circa October, Paris)

lithograph printed on Japan paper with large margins

7 3/4 x 5 1/2 inches (image)

19 1/8 x 12 inches (sheet)

Artist proof outside the Edition of 75
Signed in red pencil lower right "Picasso"

Printed (probably) by Marchizet, 1928

Published by Galerie Percier, Paris

(Bloch 0095) (Baer 243.c.3)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Deux Femmes se reposant, 1931 (September 29, Boisgeloup) drypoint printed on laid Montval with Picasso watermark from the Suite Vollard 11 3/4 x 14 1/4 inches (image) 13 3/8 x 17 3/4 inches (sheet) 22 9/16 x 24 1/2 inches (framed) Edition of 260

PABLO PICASSO (1881-1973)

Deux Femmes se reposant, 1931

(September 29, Boisgeloup)

From the Suite Vollard (S.V. 10)

drypoint printed on laid Montval with Picasso watermark from the Suite Vollard

11 3/4 x 14 1/4 inches (image)

13 3/8 x 17 3/4 inches (sheet)

From the Edition of 260

Signed in pencil lower right "Picasso"

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0143) (Baer 210.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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PABLO PICASSO (1881-1973)  Muse montrant à Marie-Thérèse pensive son Portrait sculpté, 1933 (March 17. III, Paris) etching and drypoint printed on Montval laid paper with Picasso watermark 10 1/2 x 7 5/8 inches (image) 16 7/8 x 13 1/4 inches (sheet) One of 2 or 3 artist proofs printed before steel facing, of the seventh (final) state Signed in pencil lower left “Picasso” Inscribed in pencil lower left "Pour Frélaut,  Paris le 27 Avril 1942"  Printed by Lacourière, 1942  (Bloch 0257) (Baer 299.VII.A.b)

PABLO PICASSO (1881-1973)

Muse montrant à Marie-Thérèse pensive son Portrait sculpté, 1933 (March 17. III, Paris)

etching and drypoint printed on Montval laid paper with Picasso watermark

10 1/2 x 7 5/8 inches (image)

16 7/8 x 13 1/4 inches (sheet)

One of 2 or 3 artist proofs printed before steel facing, of the seventh (final) state

Signed in pencil lower left “Picasso

Inscribed in pencil lower left "Pour Frélaut, Paris le 27 Avril 1942"

Printed by Lacourière, 1942

(Bloch 0257) (Baer 299.VII.A.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Portrait de Marie-Thérèse de face, 1934 etching and drypoint printed on laid paper with Richard de Bas watermark 12 3/8 x 9 inches (image) 19 7/8 x 15 3/4 inches (sheet) Edition 48/50, from the caisse à remords

PABLO PICASSO (1881-1973)

Portrait de Marie-Thérèse de face, 1934

(February 4, Paris)

From the Caisse à Remords

etching and drypoint printed on laid paper with Richard de Bas watermark

12 3/8 x 9 inches (image)

19 7/8 x 15 3/4 inches (sheet)

From the numbered Edition of 50, of the second state

Signed lower right with estate stamp “Picasso

Numbered in pencil lower left "48/50"

Printed by Jacques Frélaut, 1961

Published by Galerie Louise Leiris, 1981

(Bloch 0276) (Baer 417.II.C.b.1)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Femme au Fauteuil songeuse, la Joue sur la Main, 1934 engraving printed on Montval laid paper with Vollard watermark 10 7/8 x 7 3/4 inches (image) 17 1/2 x 13 1/4 inches (sheet) Edition of 260

PABLO PICASSO (1881-1973)

Femme au Fauteuil songeuse, la Joue sur la Main, 1934 (March 9, Paris)

From the Suite Vollard (S.V. 21)

engraving printed on Montval laid paper with Vollard watermark

10 7/8 x 7 3/4 inches (image)

17 1/2 x 13 1/4 inches (sheet)

From the Edition of 260

Inscribed and dated upper right “Paris / 9 Mars / XXXIV

Stamped lower right verso "HMP SV" (Estate of Henri Petiet)

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0218) (Baer 423.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

SOLD

PABLO PICASSO (1881-1973)  Marie-Thérèse en Femme Torero, 1934 (June 20, Paris) From the Suite Vollard (S.V. 22) etching on Montval laid paper with Picasso watermark  11 5/8 x 9 1/4 inches (image) 17 5/8 x 13 5/16 inches (sheet) From the Edition of 260 Inscribed in pencil lower left “378/220”  Inscribed in pencil lower right verso “496096”  Petiet Estate stamp on verso  Printed by Lacourière, 1939  Published by Vollard, 1939   (Bloch 0220) (Baer 426.B.d)

PABLO PICASSO (1881-1973)

Marie-Thérèse en Femme Torero, 1934 (June 20, Paris)

From the Suite Vollard (S.V. 22)

etching on Montval laid paper with Picasso watermark

11 5/8 x 9 1/4 inches (image)

17 5/8 x 13 5/16 inches (sheet)

From the Edition of 260

Inscribed in pencil lower left “378/220

Inscribed in pencil lower right verso “496096

Petiet Estate stamp on verso

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0220) (Baer 426.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Minotaure aveugle guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée, 1934 aquatint, drypoint and burin with scraper printed on Montval laid paper with Vollard watermark 9 3/4 x 13 3/4 inches (image) 13 1/8 x 17 5/16 inches (sheet) 21 x 24 1/2 inches (framed) Edition of 260

PABLO PICASSO (1881-1973)

Minotaure aveugle guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée, 1934

(circa December, Paris)

From the Suite Vollard (S.V. 97)

aquatint, scraper, drypoint and burin on Montval laid paper with Vollard watermark

9 3/4 x 13 3/4 inches (image)

13 1/8 x 17 5/16 inches (sheet)

From the Edition of 260, of the fourth (final) state

Signed in pencil lower right “Picasso

Inscribed in pencil lower left and margin “383, BL 225”

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0225) (Baer 437.IV.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Sculpteur avec un Groupe sculpté (Hommage à Carpeaux), 1934 (March 2, Paris) etching on Montval laid paper with Montgolfier watermark 8 3/4 x 12 1/4 inches (image) 15 1/4 x 19 3/4 inches (sheet) 20 7/16 x 23 1/16 inches (framed) Edition of 50

PABLO PICASSO (1881-1973)

Sculpteur avec un Groupe sculpté (Hommage à Carpeaux), 1934 (March 2, Paris)

From the Suite Vollard (S.V. 81)

etching printed on Montval laid paper with Montgolfier watermark

8 3/4 x 12 1/4 inches (image)

15 1/4 x 19 3/4 inches (sheet)

From the Edition of 50

Signed in pencil lower right “Picasso

Inscribed in pencil lower left margin “346

Inscribed and other notations in pencil verso upper left “B217, P346, 19704

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0217) (Baer 421.B.c)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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La Minotauromachie, 1935 etching and drypoint printed on Montval paper  19 13/16 x 27 1/8 inches (image) 22 5/16 x 30 5/8 inches (sheet) 32 1/4 x 39 inches (framed)

PABLO PICASSO (1881-1973)

La Minotauromachie, 1935

etching and drypoint printed on Montval paper

19 13/16 x 27 1/8 inches (image)

22 5/16 x 30 5/8 inches (sheet)

One of 23 unsigned artist proofs, of the
seventh (final state)
Inscribed verso “200019” (the Picasso estate)

Printed by Lacourière

(Bloch 0288) (Baer 573 VII.B.c5)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Faune dévoilant une Dormeuse (Jupiter et Antiope, d'après Rembrandt), 1936 (June 12, Paris) sugarlift aquatint and burin with scraper printed on Montval laid paper with Vollard watermark 12 5/16 x 16 5/16 inches (image) 13 1/4 x 17 1/2 inches (sheet) Edition of 250

PABLO PICASSO (1881-1973)

Faune dévoilant une Dormeuse (Jupiter et Antiope, d'après Rembrandt), 1936
(June 12, Paris)

From the Suite Vollard (S.V. 27)

sugarlift aquatint and burin with scraper printed on Montval laid paper with Vollard watermark

12 5/16 x 16 5/16 inches (image)

13 1/4 x 17 1/2 inches (sheet)

From the Edition of 250, of the sixth (final) state

Signed lower right in pencil “Picasso”

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0230) (Baer 609.VI.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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PABLO PICASSO (1881-1973)  La Femme qui pleure I, 1937 (July 1, Paris) drypoint, aquatint, etching and scraper printed on Montval laid paper  27 1/8 x 19 1/2 inches (image) 29 1/2 x 21 3/4 inches (sheet) From the Edition of 15, of the third state Signed, dated, and dedicated in pencil, lower right “Para mi amigo Larrea. Hoy 16 septiembre del 1938” Numbered in pencil lower left “5/15”  Printed by Lacourière  (Bloch 1333) (Baer 623.III.b)

PABLO PICASSO (1881-1973)

La Femme qui pleure I, 1937

(July 1, Paris)

drypoint, aquatint, etching and scraper printed on Montval laid paper

27 1/8 x 19 1/2 inches (image)

29 1/2 x 21 3/4 inches (sheet)

From the Edition of 15, of the third state

Signed, dated, and dedicated in pencil, lower right “Para mi amigo Larrea. Hoy 16 septiembre del 1938

Numbered in pencil lower left “5/15

Printed by Lacourière

(Bloch 1333) (Baer 623.III.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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PABLO PICASSO (1881-1973)  Tête de femme (Dora Maar), c. 1942  pen and India ink on paper 14 1/2 x 10 7/8 inches Signed and dedicated upper center  "A Albert Skira / Picasso"  Certificate of Authenticity provided by Maya Widmaier-Picasso

PABLO PICASSO (1881-1973)

Tête de femme (Dora Maar), c. 1942

pen and India ink on paper

14 1/2 x 10 7/8 inches

Signed and dedicated upper center "A Albert Skira / Picasso"

Certificate of Authenticity provided by Maya Widmaier-Picasso

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Femme au Fauteuil No 4 (d'aprés le violet), 1949 (January 3) lithograph on Arches vellum with Arches watermark 27 7/8 x 20 1/2 inches (image) 30 x 22 1/4 inches (sheet) 37 15/16 x 31 1/8 (framed) Edition 47/50

PABLO PICASSO (1881-1973)

Femme Au Fauteuil No 4, 1949

(January 3)

lithograph on Arches vellum with Arches watermark

27 7/8 x 20 1/2 inches (image)

30 x 22 1/4 inches (sheet)

From the Edition of 50, of the fifth (final) state

Signed by the artist in pencil lower right  “Picasso”
Numbered lower left “47/50”

Printed by Mourlot, 1949

(Bloch 0588) (Mourlot 137) (Reuße 423)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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L'Italienne (d'aprés le tableau de Victor Orsel), 1953 (January 18, Paris) lithograph printed on Arches wove paper  17 1/2 x 15 inches (image) 25 1/8 x 19 1/2 inches (sheet) 30 1/8 x 26 1/16 inches (framed) one of five proofs

PABLO PICASSO (1881-1973)

L'Italienne (d'aprés le tableau de Victor Orsel), 1953 (January 18, Paris)

lithograph printed on Arches wove paper

17 1/2 x 15 inches (image)

25 1/8 x 19 1/2 inches (sheet)

One of 5 proofs, of the first (of two) states

Printed in reverse upper right: “18.1.53

Printed by Mourlot

(Bloch 0740.1) (Mourlot 238.1) (Reusse 623)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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L'Italienne (d'après le tableau de Victor Orsel), 1953 (January 21, Paris) lithograph 17 1/2 x 15 inches (image) 25 1/8 x 19 1/2 inches (sheet) 32 3/8 x 26 1/2 inches (framed)

PABLO PICASSO (1881-1973)

L'Italienne (d'après le tableau de Victor Orsel), 1953 (January 21, Paris)

lithograph

17 1/2 x 15 inches (image)

25 1/8 x 19 1/2 inches (sheet)

Edition of 50, from the second (final) state

Signed in pencil lower right “Picasso

Numbered lower left “13/50

Printed in reverse upper right: “18.1.53,” “21.1.53

Printed by Fernand Mourlot, 1955

(Bloch 0740.2) (Mourlot 238.2) (Reusse 623)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Buste de Femme à la Queue de Cheval: Jacqueline, 1955 (March 19, Paris) aquatint printed on Arches wove 25 3/8 x 19 3/8 inches (image) 30 x 22 1/2 inches (sheet) 45 1/2 x 34 1/2 inches (framed) Edition 6/50

PABLO PICASSO (1881-1973)

Buste de Femme à la Queue de Cheval: Jacqueline, 1955 (March 19, Paris)

aquatint printed on Arches wove

25 3/8 x 19 3/8 inches (image)

30 x 22 1/2 inches (sheet)

From the Edition of 50

Signed in pencil lower right "Picasso"

Numbered in pencil lower left "6/50"

Printed by Lacourière, 1955

Published by Galerie Louise Leiris, 1955

(Bloch 0771) (Baer 927.B.a)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Deux Femmes avec un Vase à Fleurs, 1959 linocut printed in two colors on Arches wove paper 20 1/16  x 25 inches (image) 24 3/8 x 29 1/2 inches (sheet) One of twenty proofs, outside the edition of 50

PABLO PICASSO (1881-1973)

Deux Femmes avec un Vase à Fleurs, 1959 (September 27, Cannes)

linocut printed in two colors on Arches wove paper

20 1/16 x 25 inches (image)

24 3/8 x 29 1/2 inches (sheet)

One of approximately 20 artist proofs outside the Edition of 50, of the fourth (final) state

Signed in pencil lower right “Picasso

Printed by Arnéra, Vallauris, 1960

Published by Galerie Louise Leiris, Paris, 1960

(Bloch 0915) (Baer 1239.IV.B.b)

Certificate of Authenticity provided by Bouquinerie de L’institut, Paris

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Portrait de Jacqueline, 1959 (October 17) linocut printed in colors on Arches wove paper 25 1/4 x 20 5/8 inches (image) 29 5/8 x 24 3/8 inches (sheet) 35 1/2 x 32 inches (framed) one of twenty proofs outside the edition of 50

 PABLO PICASSO (1881-1973)

Portrait de Jacqueline, 1959
(October 17, Cannes)

linocut printed in two colors on Arches wove paper

25 1/4 x 20 5/8 inches (image)

29 5/8 x 24 3/8 inches (sheet)

One of 20 proofs outside the Edition of 50

Signed in pencil lower right "Picasso"

Printed by Arnéra, Vallauris, 1959

Published by Galerie Louise Leiris, Paris, 1959

(Bloch 0923) (Baer 1245.B.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Portrait de Jacqueline aux cheveux lisses, 1962 color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark 25 3/16 x 20 11/16 inches (image) 29 5/8 x 24 7/16 inches (sheet) 37 1/4 x 31 3/4 inches (framed) Edition 41/50

PABLO PICASSO (1881-1973)

Portrait de Jacqueline aux cheveux lisses, 1962 (February 16, Mougins)

linocut printed in five colors (beige, yellow, red, blue, and black) on cream wove paper with Arches watermark

25 3/16 x 20 11/16 inches (image)

29 5/8 x 24 7/16 inches (sheet)

From the Edition of 50, of the fourth (final) state

Signed in pencil lower right "Picasso"

Numbered lower left “41/50”

Printed by Arnéra, Vallauris

Published by Galerie Louise Leiris, Paris, 1963

(Bloch 1066) (Baer 1302.IV.B.a)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Nature morte à la suspension, 1962 (March 22, Mougins) linocut printed in colors (cream, gray, flat black, yellow, green, red, blue, and satin black) from two blocks on Arches paper with Arches watermark 25 x 20 3/4 inches (image) 29 5/8 x 24 1/2 inches (sheet) 36 5/8 x 31 1/2 inches (framed) one of around twenty-five artist's proofs outside the edition of 50

PABLO PICASSO (1881-1973)

Nature morte à la suspension, 1962 (March 22, Mougins)

linocut printed in colors (cream, gray, flat black, yellow, green, red, blue, and satin black) from two blocks on Arches paper with Arches watermark

25 x 20 3/4 inches (image)

29 5/8 x 24 1/2 inches (sheet)

One of approximately 25 artist proofs outside the Edition of 50

Printed by Arnéra

Published by Galerie Louise Leiris, 1963

(Bloch 1102) (Baer 1313.B.g.2.ß)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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PABLO PICASSO (1881-1973)  Portrait de Jacqueline en Carmen, 1962 (April 15, Mougins)  linocut printed on wove paper with Arches watermark  13 3/4 x 10 5/8 inches (image)  24 5/8 x 17 5/16 inches (sheet)  One of approximately 20 artist proofs outside the Edition of 50  Signed by the artist in pencil lower right "Picasso"  Inscribed in pencil lower left "Épreuve d'artiste"  Printed by Arnéra, Vallauris, 1962  Published by Galerie Louise Leiris, Paris, 1963  (Bloch 1095) (Baer 1324.IV.B.b)  © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)

Portrait de Jacqueline en Carmen, 1962 (April 15, Mougins)

linocut printed on wove paper with Arches watermark

13 3/4 x 10 5/8 inches (image)

24 5/8 x 17 5/16 inches (sheet)

One of approximately 20 artist proofs outside the Edition of 50

Signed by the artist in pencil lower right "Picasso"

Inscribed in pencil lower left "Épreuve d'artiste"

Printed by Arnéra, Vallauris, 1962

Published by Galerie Louise Leiris, Paris, 1963

(Bloch 1095) (Baer 1324.IV.B.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Peintre et modèle au fauteuil, 1963 linocut rincé printed in cream with China Ink on Arches paper  20 7/8 x 25 1/4 inches (image) 24 1/2 x 29 5/8 inches (sheet) 32 1/2 x 36 3/4 inches (framed) one of approximately five impressions

PABLO PICASSO (1881-1973)

Peintre et modèle au fauteuil, 1963

(December 21 and 28, Mougins)

linocut rincé printed in cream with China Ink on Arches paper

20 7/8 x 25 1/4 inches (image)

24 1/2 x 29 5/8 inches (sheet)

Baer’s first state (of two)

One of approximately 5 impressions (there were also 5 impressions printed in brown and black)

Signed, dedicated and dated in felt-tip pen lower edge “pour Norman Granz / Picasso / le. 18.5.69”

Printed by Arnéra, 1963

(Baer 1347.I)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Grosse prostituée et Mousquetaire, 1968 aquatint 4 3/4 x 3 1/2 inches 12.1 x 8.9 cm Edition 25/50

PABLO PICASSO (1881-1973)

Grosse prostituée et Mousquetaire, 1968 (June 21.II, Mougins)

From the La Série 347 (Plate 175)

sugarlift aquatint on Rives paper

4 3/4 x 3 1/2 inches (image)

From the Edition of 50

Signed in pencil lower right "Picasso"

Numbered in pencil lower left "25/50"

Dated and numbered upper left "21.6.68 / II"

Printed by Atelier Crommelynck, 1969

Published by Galerie Louise Leiris, 1969

(Bloch 1655) (Baer 1671.B.b.1)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

 

SOLD

Pablo Picasso La Chute d'Icare, 1972 (March 4 and 6, Mougins) etching and drypoint with scraper printed on Rives paper 14 3/8 x 19 3/8 inches (image) 19 3/4 x 25 7/8 inches (sheet) Edition of 125, of the thirteenth (final) state

PABLO PICASSO (1881-1973)

La Chute d'Icare, 1972 (March 4 and 6, Mougins)

etching and drypoint with scraper printed on Rives paper

14 3/8 x 19 3/8 inches (image) 19 3/4 x 25 7/8 inches (sheet)

Edition of 125, of the thirteenth (final) state

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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PABLO PICASSO (1881-1973)  Portrait de Femme, c. 1897 colored pencil and charcoal on paper 8 1/8 x 6 1/8 inches Signed and dedicated lower right  "P. Ruiz Picasso for Paula"  Certificate of Authenticity provided by  Maya Widmaier-Picasso

PABLO PICASSO (1881-1973)

Portrait de Femme, c. 1897

colored pencil and charcoal on paper

8 1/8 x 6 1/8 inches

Signed and dedicated lower right "P. Ruiz Picasso for Paula"

Certificate of Authenticity provided by Maya Widmaier-Picasso

Le Repas frugal, 1904 (September, Paris) etching and scraper printed on Van Gelder Zonen wove paper with Van Gelder Zonen watermark  18 1/4 x 14 3/4 inches (image) 25 3/4 x 19 7/8 inches (sheet) Edition of 250, from the Suite des Saltimbanques

PABLO PICASSO (1881-1973)

Le Repas frugal, 1904

(September, Paris)

From the Suite des Saltimbanques

etching and scraper printed on Van Gelder Zonen wove paper with Van Gelder Zonen watermark

18 1/4 x 14 3/4 inches (image)

25 3/4 x 19 7/8 inches (sheet)

Edition of 250, of the second (final state)

Printed by Fort, 1913

Published by Vollard, 1913

(Bloch 0001) (Baer 2.II.b.2)

SOLD

Salomé, 1905 (between summer and the end of the year, Paris) drypoint printed on Arches paper 15 7/8 x 13 3/4 inches (image) 25 3/8 x 19 3/8 inches (sheet) 29 7/8 x 26 5/16 inches (framed) one of a few impressions before steelfacing

PABLO PICASSO (1881-1973)

Salomé, 1905

(between summer and the end of the year, Paris)

From the Suite des Saltimbanques

drypoint printed on Arches paper

15 7/8 x 13 3/4 inches (image)

25 3/8 x 19 3/8 inches (sheet)

One of a few impressions before steel facing, of the third (final) state

Signed lower right “Picasso”

Printed by Eugene Delâtre, Paris, 1905

(Bloch 0014), (Baer 17.III.a)

Tête de Femme de Profil, 1905 etching on laid Japan paper 11 1/2 x 9 3/4 inches (image) 21 5/8 x 15 9/16 inches (sheet) 27 1/8 x 33 3/4 inches (framed) from the edition of 27 or 29

PABLO PICASSO (1881-1973)

Tête de Femme de Profil, 1905
(probably February, Paris)
From the Suite des Saltimbanques

drypoint on laid Japan paper
11 1/2 x 9 3/4 inches (image)

21 5/8 x 15 9/16 inches (sheet)

From the edition of 27 or 29, of the second state

Printed by Fort, 1913

Published by Vollard, 1913

(Bloch 0006) (Baer 7.b.1)

PABLO PICASSO (1881-1973)  Portrait de la fille de Charles Morice, 1906 pencil on paper 26 3/4 x 18 7/8 inches Signed in pencil upper left “Picasso”  (Zervos, Vol. VI, no. 750)  Authenticated by Claude Ruiz Picasso,  April 19, 2015

PABLO PICASSO (1881-1973)

Portrait de la fille de Charles Morice, 1906

pencil on paper

26 3/4 x 18 7/8 inches

Signed in pencil upper left “Picasso”

(Zervos, Vol. VI, no. 750)

Authenticated by Claude Ruiz Picasso, April 19, 2015

Pablo Picasso L'Homme au Chien, 1914 black and white etching 10 3/4 x 8 1/2 inches

PABLO PICASSO (1881-1973)
L'Homme au Chien, 1914
black and white etching
10 3/4 x 8 1/2 inches
signed in red pencil lower right "Picasso"

Pianiste, 1916 (Paris) pencil on paper 11 1/8 inches x 8 7/8 inches (image) 20 1/4 x 17 5/8 inches (framed)

PABLO PICASSO (1881-1973)

Pianiste, 1916 (Paris)

pencil on paper

11 1/8 inches x 8 7/8 inches

Signed in pen lower left “Picasso”

(Zervos, vol. II, no. 907)

Visage de Marie-Thérèse, 1928 (probably October, Paris) lithograph printed on Japan paper with large margins 7 3/4 x 5 1/2 inches (image) 19 1/8 x 12 inches (sheet) 22 5/8 x 18 5/8 inches (framed) a proof outside the edition of 75

PABLO PICASSO (1881-1973)

Visage de Marie-Thérèse, 1928

(circa October, Paris)

lithograph printed on Japan paper with large margins

7 3/4 x 5 1/2 inches (image)

19 1/8 x 12 inches (sheet)

Artist proof outside the Edition of 75
Signed in red pencil lower right "Picasso"

Printed (probably) by Marchizet, 1928

Published by Galerie Percier, Paris

(Bloch 0095) (Baer 243.c.3)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Deux Femmes se reposant, 1931 (September 29, Boisgeloup) drypoint printed on laid Montval with Picasso watermark from the Suite Vollard 11 3/4 x 14 1/4 inches (image) 13 3/8 x 17 3/4 inches (sheet) 22 9/16 x 24 1/2 inches (framed) Edition of 260

PABLO PICASSO (1881-1973)

Deux Femmes se reposant, 1931

(September 29, Boisgeloup)

From the Suite Vollard (S.V. 10)

drypoint printed on laid Montval with Picasso watermark from the Suite Vollard

11 3/4 x 14 1/4 inches (image)

13 3/8 x 17 3/4 inches (sheet)

From the Edition of 260

Signed in pencil lower right "Picasso"

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0143) (Baer 210.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)  Muse montrant à Marie-Thérèse pensive son Portrait sculpté, 1933 (March 17. III, Paris) etching and drypoint printed on Montval laid paper with Picasso watermark 10 1/2 x 7 5/8 inches (image) 16 7/8 x 13 1/4 inches (sheet) One of 2 or 3 artist proofs printed before steel facing, of the seventh (final) state Signed in pencil lower left “Picasso” Inscribed in pencil lower left "Pour Frélaut,  Paris le 27 Avril 1942"  Printed by Lacourière, 1942  (Bloch 0257) (Baer 299.VII.A.b)

PABLO PICASSO (1881-1973)

Muse montrant à Marie-Thérèse pensive son Portrait sculpté, 1933 (March 17. III, Paris)

etching and drypoint printed on Montval laid paper with Picasso watermark

10 1/2 x 7 5/8 inches (image)

16 7/8 x 13 1/4 inches (sheet)

One of 2 or 3 artist proofs printed before steel facing, of the seventh (final) state

Signed in pencil lower left “Picasso

Inscribed in pencil lower left "Pour Frélaut, Paris le 27 Avril 1942"

Printed by Lacourière, 1942

(Bloch 0257) (Baer 299.VII.A.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Portrait de Marie-Thérèse de face, 1934 etching and drypoint printed on laid paper with Richard de Bas watermark 12 3/8 x 9 inches (image) 19 7/8 x 15 3/4 inches (sheet) Edition 48/50, from the caisse à remords

PABLO PICASSO (1881-1973)

Portrait de Marie-Thérèse de face, 1934

(February 4, Paris)

From the Caisse à Remords

etching and drypoint printed on laid paper with Richard de Bas watermark

12 3/8 x 9 inches (image)

19 7/8 x 15 3/4 inches (sheet)

From the numbered Edition of 50, of the second state

Signed lower right with estate stamp “Picasso

Numbered in pencil lower left "48/50"

Printed by Jacques Frélaut, 1961

Published by Galerie Louise Leiris, 1981

(Bloch 0276) (Baer 417.II.C.b.1)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Femme au Fauteuil songeuse, la Joue sur la Main, 1934 engraving printed on Montval laid paper with Vollard watermark 10 7/8 x 7 3/4 inches (image) 17 1/2 x 13 1/4 inches (sheet) Edition of 260

PABLO PICASSO (1881-1973)

Femme au Fauteuil songeuse, la Joue sur la Main, 1934 (March 9, Paris)

From the Suite Vollard (S.V. 21)

engraving printed on Montval laid paper with Vollard watermark

10 7/8 x 7 3/4 inches (image)

17 1/2 x 13 1/4 inches (sheet)

From the Edition of 260

Inscribed and dated upper right “Paris / 9 Mars / XXXIV

Stamped lower right verso "HMP SV" (Estate of Henri Petiet)

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0218) (Baer 423.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

SOLD

PABLO PICASSO (1881-1973)  Marie-Thérèse en Femme Torero, 1934 (June 20, Paris) From the Suite Vollard (S.V. 22) etching on Montval laid paper with Picasso watermark  11 5/8 x 9 1/4 inches (image) 17 5/8 x 13 5/16 inches (sheet) From the Edition of 260 Inscribed in pencil lower left “378/220”  Inscribed in pencil lower right verso “496096”  Petiet Estate stamp on verso  Printed by Lacourière, 1939  Published by Vollard, 1939   (Bloch 0220) (Baer 426.B.d)

PABLO PICASSO (1881-1973)

Marie-Thérèse en Femme Torero, 1934 (June 20, Paris)

From the Suite Vollard (S.V. 22)

etching on Montval laid paper with Picasso watermark

11 5/8 x 9 1/4 inches (image)

17 5/8 x 13 5/16 inches (sheet)

From the Edition of 260

Inscribed in pencil lower left “378/220

Inscribed in pencil lower right verso “496096

Petiet Estate stamp on verso

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0220) (Baer 426.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Minotaure aveugle guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée, 1934 aquatint, drypoint and burin with scraper printed on Montval laid paper with Vollard watermark 9 3/4 x 13 3/4 inches (image) 13 1/8 x 17 5/16 inches (sheet) 21 x 24 1/2 inches (framed) Edition of 260

PABLO PICASSO (1881-1973)

Minotaure aveugle guidé par Marie-Thérèse au Pigeon dans une Nuit étoilée, 1934

(circa December, Paris)

From the Suite Vollard (S.V. 97)

aquatint, scraper, drypoint and burin on Montval laid paper with Vollard watermark

9 3/4 x 13 3/4 inches (image)

13 1/8 x 17 5/16 inches (sheet)

From the Edition of 260, of the fourth (final) state

Signed in pencil lower right “Picasso

Inscribed in pencil lower left and margin “383, BL 225”

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0225) (Baer 437.IV.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Sculpteur avec un Groupe sculpté (Hommage à Carpeaux), 1934 (March 2, Paris) etching on Montval laid paper with Montgolfier watermark 8 3/4 x 12 1/4 inches (image) 15 1/4 x 19 3/4 inches (sheet) 20 7/16 x 23 1/16 inches (framed) Edition of 50

PABLO PICASSO (1881-1973)

Sculpteur avec un Groupe sculpté (Hommage à Carpeaux), 1934 (March 2, Paris)

From the Suite Vollard (S.V. 81)

etching printed on Montval laid paper with Montgolfier watermark

8 3/4 x 12 1/4 inches (image)

15 1/4 x 19 3/4 inches (sheet)

From the Edition of 50

Signed in pencil lower right “Picasso

Inscribed in pencil lower left margin “346

Inscribed and other notations in pencil verso upper left “B217, P346, 19704

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0217) (Baer 421.B.c)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

La Minotauromachie, 1935 etching and drypoint printed on Montval paper  19 13/16 x 27 1/8 inches (image) 22 5/16 x 30 5/8 inches (sheet) 32 1/4 x 39 inches (framed)

PABLO PICASSO (1881-1973)

La Minotauromachie, 1935

etching and drypoint printed on Montval paper

19 13/16 x 27 1/8 inches (image)

22 5/16 x 30 5/8 inches (sheet)

One of 23 unsigned artist proofs, of the
seventh (final state)
Inscribed verso “200019” (the Picasso estate)

Printed by Lacourière

(Bloch 0288) (Baer 573 VII.B.c5)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Faune dévoilant une Dormeuse (Jupiter et Antiope, d'après Rembrandt), 1936 (June 12, Paris) sugarlift aquatint and burin with scraper printed on Montval laid paper with Vollard watermark 12 5/16 x 16 5/16 inches (image) 13 1/4 x 17 1/2 inches (sheet) Edition of 250

PABLO PICASSO (1881-1973)

Faune dévoilant une Dormeuse (Jupiter et Antiope, d'après Rembrandt), 1936
(June 12, Paris)

From the Suite Vollard (S.V. 27)

sugarlift aquatint and burin with scraper printed on Montval laid paper with Vollard watermark

12 5/16 x 16 5/16 inches (image)

13 1/4 x 17 1/2 inches (sheet)

From the Edition of 250, of the sixth (final) state

Signed lower right in pencil “Picasso”

Printed by Lacourière, 1939

Published by Vollard, 1939

(Bloch 0230) (Baer 609.VI.B.d)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)  La Femme qui pleure I, 1937 (July 1, Paris) drypoint, aquatint, etching and scraper printed on Montval laid paper  27 1/8 x 19 1/2 inches (image) 29 1/2 x 21 3/4 inches (sheet) From the Edition of 15, of the third state Signed, dated, and dedicated in pencil, lower right “Para mi amigo Larrea. Hoy 16 septiembre del 1938” Numbered in pencil lower left “5/15”  Printed by Lacourière  (Bloch 1333) (Baer 623.III.b)

PABLO PICASSO (1881-1973)

La Femme qui pleure I, 1937

(July 1, Paris)

drypoint, aquatint, etching and scraper printed on Montval laid paper

27 1/8 x 19 1/2 inches (image)

29 1/2 x 21 3/4 inches (sheet)

From the Edition of 15, of the third state

Signed, dated, and dedicated in pencil, lower right “Para mi amigo Larrea. Hoy 16 septiembre del 1938

Numbered in pencil lower left “5/15

Printed by Lacourière

(Bloch 1333) (Baer 623.III.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)  Tête de femme (Dora Maar), c. 1942  pen and India ink on paper 14 1/2 x 10 7/8 inches Signed and dedicated upper center  "A Albert Skira / Picasso"  Certificate of Authenticity provided by Maya Widmaier-Picasso

PABLO PICASSO (1881-1973)

Tête de femme (Dora Maar), c. 1942

pen and India ink on paper

14 1/2 x 10 7/8 inches

Signed and dedicated upper center "A Albert Skira / Picasso"

Certificate of Authenticity provided by Maya Widmaier-Picasso

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Femme au Fauteuil No 4 (d'aprés le violet), 1949 (January 3) lithograph on Arches vellum with Arches watermark 27 7/8 x 20 1/2 inches (image) 30 x 22 1/4 inches (sheet) 37 15/16 x 31 1/8 (framed) Edition 47/50

PABLO PICASSO (1881-1973)

Femme Au Fauteuil No 4, 1949

(January 3)

lithograph on Arches vellum with Arches watermark

27 7/8 x 20 1/2 inches (image)

30 x 22 1/4 inches (sheet)

From the Edition of 50, of the fifth (final) state

Signed by the artist in pencil lower right  “Picasso”
Numbered lower left “47/50”

Printed by Mourlot, 1949

(Bloch 0588) (Mourlot 137) (Reuße 423)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

L'Italienne (d'aprés le tableau de Victor Orsel), 1953 (January 18, Paris) lithograph printed on Arches wove paper  17 1/2 x 15 inches (image) 25 1/8 x 19 1/2 inches (sheet) 30 1/8 x 26 1/16 inches (framed) one of five proofs

PABLO PICASSO (1881-1973)

L'Italienne (d'aprés le tableau de Victor Orsel), 1953 (January 18, Paris)

lithograph printed on Arches wove paper

17 1/2 x 15 inches (image)

25 1/8 x 19 1/2 inches (sheet)

One of 5 proofs, of the first (of two) states

Printed in reverse upper right: “18.1.53

Printed by Mourlot

(Bloch 0740.1) (Mourlot 238.1) (Reusse 623)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

L'Italienne (d'après le tableau de Victor Orsel), 1953 (January 21, Paris) lithograph 17 1/2 x 15 inches (image) 25 1/8 x 19 1/2 inches (sheet) 32 3/8 x 26 1/2 inches (framed)

PABLO PICASSO (1881-1973)

L'Italienne (d'après le tableau de Victor Orsel), 1953 (January 21, Paris)

lithograph

17 1/2 x 15 inches (image)

25 1/8 x 19 1/2 inches (sheet)

Edition of 50, from the second (final) state

Signed in pencil lower right “Picasso

Numbered lower left “13/50

Printed in reverse upper right: “18.1.53,” “21.1.53

Printed by Fernand Mourlot, 1955

(Bloch 0740.2) (Mourlot 238.2) (Reusse 623)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Buste de Femme à la Queue de Cheval: Jacqueline, 1955 (March 19, Paris) aquatint printed on Arches wove 25 3/8 x 19 3/8 inches (image) 30 x 22 1/2 inches (sheet) 45 1/2 x 34 1/2 inches (framed) Edition 6/50

PABLO PICASSO (1881-1973)

Buste de Femme à la Queue de Cheval: Jacqueline, 1955 (March 19, Paris)

aquatint printed on Arches wove

25 3/8 x 19 3/8 inches (image)

30 x 22 1/2 inches (sheet)

From the Edition of 50

Signed in pencil lower right "Picasso"

Numbered in pencil lower left "6/50"

Printed by Lacourière, 1955

Published by Galerie Louise Leiris, 1955

(Bloch 0771) (Baer 927.B.a)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Deux Femmes avec un Vase à Fleurs, 1959 linocut printed in two colors on Arches wove paper 20 1/16  x 25 inches (image) 24 3/8 x 29 1/2 inches (sheet) One of twenty proofs, outside the edition of 50

PABLO PICASSO (1881-1973)

Deux Femmes avec un Vase à Fleurs, 1959 (September 27, Cannes)

linocut printed in two colors on Arches wove paper

20 1/16 x 25 inches (image)

24 3/8 x 29 1/2 inches (sheet)

One of approximately 20 artist proofs outside the Edition of 50, of the fourth (final) state

Signed in pencil lower right “Picasso

Printed by Arnéra, Vallauris, 1960

Published by Galerie Louise Leiris, Paris, 1960

(Bloch 0915) (Baer 1239.IV.B.b)

Certificate of Authenticity provided by Bouquinerie de L’institut, Paris

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Portrait de Jacqueline, 1959 (October 17) linocut printed in colors on Arches wove paper 25 1/4 x 20 5/8 inches (image) 29 5/8 x 24 3/8 inches (sheet) 35 1/2 x 32 inches (framed) one of twenty proofs outside the edition of 50

 PABLO PICASSO (1881-1973)

Portrait de Jacqueline, 1959
(October 17, Cannes)

linocut printed in two colors on Arches wove paper

25 1/4 x 20 5/8 inches (image)

29 5/8 x 24 3/8 inches (sheet)

One of 20 proofs outside the Edition of 50

Signed in pencil lower right "Picasso"

Printed by Arnéra, Vallauris, 1959

Published by Galerie Louise Leiris, Paris, 1959

(Bloch 0923) (Baer 1245.B.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Portrait de Jacqueline aux cheveux lisses, 1962 color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark 25 3/16 x 20 11/16 inches (image) 29 5/8 x 24 7/16 inches (sheet) 37 1/4 x 31 3/4 inches (framed) Edition 41/50

PABLO PICASSO (1881-1973)

Portrait de Jacqueline aux cheveux lisses, 1962 (February 16, Mougins)

linocut printed in five colors (beige, yellow, red, blue, and black) on cream wove paper with Arches watermark

25 3/16 x 20 11/16 inches (image)

29 5/8 x 24 7/16 inches (sheet)

From the Edition of 50, of the fourth (final) state

Signed in pencil lower right "Picasso"

Numbered lower left “41/50”

Printed by Arnéra, Vallauris

Published by Galerie Louise Leiris, Paris, 1963

(Bloch 1066) (Baer 1302.IV.B.a)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Nature morte à la suspension, 1962 (March 22, Mougins) linocut printed in colors (cream, gray, flat black, yellow, green, red, blue, and satin black) from two blocks on Arches paper with Arches watermark 25 x 20 3/4 inches (image) 29 5/8 x 24 1/2 inches (sheet) 36 5/8 x 31 1/2 inches (framed) one of around twenty-five artist's proofs outside the edition of 50

PABLO PICASSO (1881-1973)

Nature morte à la suspension, 1962 (March 22, Mougins)

linocut printed in colors (cream, gray, flat black, yellow, green, red, blue, and satin black) from two blocks on Arches paper with Arches watermark

25 x 20 3/4 inches (image)

29 5/8 x 24 1/2 inches (sheet)

One of approximately 25 artist proofs outside the Edition of 50

Printed by Arnéra

Published by Galerie Louise Leiris, 1963

(Bloch 1102) (Baer 1313.B.g.2.ß)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)  Portrait de Jacqueline en Carmen, 1962 (April 15, Mougins)  linocut printed on wove paper with Arches watermark  13 3/4 x 10 5/8 inches (image)  24 5/8 x 17 5/16 inches (sheet)  One of approximately 20 artist proofs outside the Edition of 50  Signed by the artist in pencil lower right "Picasso"  Inscribed in pencil lower left "Épreuve d'artiste"  Printed by Arnéra, Vallauris, 1962  Published by Galerie Louise Leiris, Paris, 1963  (Bloch 1095) (Baer 1324.IV.B.b)  © 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PABLO PICASSO (1881-1973)

Portrait de Jacqueline en Carmen, 1962 (April 15, Mougins)

linocut printed on wove paper with Arches watermark

13 3/4 x 10 5/8 inches (image)

24 5/8 x 17 5/16 inches (sheet)

One of approximately 20 artist proofs outside the Edition of 50

Signed by the artist in pencil lower right "Picasso"

Inscribed in pencil lower left "Épreuve d'artiste"

Printed by Arnéra, Vallauris, 1962

Published by Galerie Louise Leiris, Paris, 1963

(Bloch 1095) (Baer 1324.IV.B.b)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Peintre et modèle au fauteuil, 1963 linocut rincé printed in cream with China Ink on Arches paper  20 7/8 x 25 1/4 inches (image) 24 1/2 x 29 5/8 inches (sheet) 32 1/2 x 36 3/4 inches (framed) one of approximately five impressions

PABLO PICASSO (1881-1973)

Peintre et modèle au fauteuil, 1963

(December 21 and 28, Mougins)

linocut rincé printed in cream with China Ink on Arches paper

20 7/8 x 25 1/4 inches (image)

24 1/2 x 29 5/8 inches (sheet)

Baer’s first state (of two)

One of approximately 5 impressions (there were also 5 impressions printed in brown and black)

Signed, dedicated and dated in felt-tip pen lower edge “pour Norman Granz / Picasso / le. 18.5.69”

Printed by Arnéra, 1963

(Baer 1347.I)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Grosse prostituée et Mousquetaire, 1968 aquatint 4 3/4 x 3 1/2 inches 12.1 x 8.9 cm Edition 25/50

PABLO PICASSO (1881-1973)

Grosse prostituée et Mousquetaire, 1968 (June 21.II, Mougins)

From the La Série 347 (Plate 175)

sugarlift aquatint on Rives paper

4 3/4 x 3 1/2 inches (image)

From the Edition of 50

Signed in pencil lower right "Picasso"

Numbered in pencil lower left "25/50"

Dated and numbered upper left "21.6.68 / II"

Printed by Atelier Crommelynck, 1969

Published by Galerie Louise Leiris, 1969

(Bloch 1655) (Baer 1671.B.b.1)

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

 

SOLD

Pablo Picasso La Chute d'Icare, 1972 (March 4 and 6, Mougins) etching and drypoint with scraper printed on Rives paper 14 3/8 x 19 3/8 inches (image) 19 3/4 x 25 7/8 inches (sheet) Edition of 125, of the thirteenth (final) state

PABLO PICASSO (1881-1973)

La Chute d'Icare, 1972 (March 4 and 6, Mougins)

etching and drypoint with scraper printed on Rives paper

14 3/8 x 19 3/8 inches (image) 19 3/4 x 25 7/8 inches (sheet)

Edition of 125, of the thirteenth (final) state

© 2023 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

Downloads

"Picasso on Paper" 2023 press release
Portrair de Femme
Portrait de Femme
Le Repas frugal
Le Repas frugal
Tête de Femme de Profil
Tête de Femme de Profil
Salomé
Salomé
Portrait de la Fille de Charles Morice
Portrait de la Fille de Charles Morice
L'Homme au Chien
L'Homme au Chien
Pianiste
Pianiste
Visage de Marie-Thérèse
Visage de Marie-Thérèse
Deux Femmes se reposant
Deux Femmes se reposant
Muse montrant à Marie-Thérèse pensive son Portrait sculpté
Muse montrant à Marie-Thérèse pensive son Portrait sculpté
Portrait de Marie-Thérèse de face
Portrait de Marie-Thérèse de face
Femme au Fauteuil songeuse, la Joue sur la Main
Femme au Fauteuil songeuse, la Joue sur la Main
Marie-Thérèse en Femme Torero
Marie-Thérèse en Femme Torero
Minotaure aveugle guidé par Marie-Thérèse
Minotaure aveugle guidé par Marie-Thérèse
Sculpteur avec un Groupe sculpté
Sculpteur avec un Groupe sculpté
La Minotauromachie
La Minotauromachie
Faune dévoilant une Dormeuse
Faune dévoilant une Dormeuse
La Femme qui pleure I
La Femme qui pleure I
Tete de Femme (Dora Maar)
Tete de Femme (Dora Maar)
Femme Au Fauteuil No 4
Femme Au Fauteuil No 4
L'Italienne (d'aprés le tableau de Victor Orsel) State One
L'Italienne (d'aprés le tableau de Victor Orsel) State One
L'Italienne (d'aprés le tableau de Victor Orsel) State Two
L'Italienne (d'aprés le tableau de Victor Orsel) State Two
Buste de Femme à la Queue de Cheval Jacqueline
Buste de Femme à la Queue de Cheval Jacqueline
Deux Femmes avec un Vase à Fleurs
Deux Femmes avec un Vase à Fleurs
Portrait de Jacqueline
Portrait de Jacqueline
Portrait de Jacqueline aux cheveux lisses
Portrait de Jacqueline aux cheveux lisses
Nature morte à la suspension
Nature morte à la suspension
Portrait de Jacqueline en Carmen
Portrait de Jacqueline en Carmen
Peintre et modèle au fauteuil
Peintre et modèle au fauteuil
Grosse prostituée et Mousquetaire
Grosse prostituée et Mousquetaire
La Chute d'Icare, 1972